Philippine Noon Time Shows Essay

For over a decade now, midday conviction TV shows have beguiled the Filipino public, colloquially known asthe masa. These shows run for 2 hours a day, 6 days a week, usually from around 2 to 4 o clock pm. Their im handsse popularity is shown by the long lines of people that wait outside the studio hours before the program starts. All of them, hoping to get a chance to participate in the festivities which include playing games, singing, and dancing. Millions more con through and through their television. All this translates into high TV ratings, plaintually generating billions in tax for the producers and executives. The host himself earns around 1 to 2 million pesos everyday.The audition by and large consists of people from the D and E demographics. thoch Stuart in his article Mr Willie describes them as those who come from near or far a manner, many with borrowed transportation money, advance from all walks of masa life. Some of the groups that he mentioned were featured i n these shows include farmers, fishermen, GROs, passel drivers, people with missing teeth, people with special talents, single m separates, gay, graduates who failed their licensing exams, girls who stomach dance, boys who can sing, bibingka vendors, and, even, young girls with great get a lineing legs. Overseas Filipino Workers be too given special mention in the show. Those present in the consultation see it as a welcome home celebration, or a way to re-immerse themselves in the Filipino culture.A euphoric upbeat gentle wind underpins the event. Mr Stuart describes it as 120 minutes of mindless choreographed entertainment games, dancing, singing and laugh with ample opportunities for ogling. These events dont require any complex persuasion from the participants. They were designed to be visceral and to conjure a response of lovesome emotion. Girls in scantily clad outfits be the ones who facilitate the celebration. They serve 2 purposes in the event. Firstly to captiva te and attract through their revealing outfits. scarce they excessively carry out logistical tasks exchangeable accompanying audience members to the stage and dancing the tunes for everyone to mimic.The host ensures that all elements of the show atomic number 18 vomit up together. To keep everything lively, his dialogue must always be fast paced. At times he gives off the impression of a cheerleader always bestir the audience into states of excitement. He depart always crack jokes left and right, and leave never miss any opportunity even it means qualification fun of himself. For the show to be successful, the host must sympathise the sensibilities of the volume lower mannikin audience. The interactive environment can only inhabit if he can connect with the masas humor. In Philippine society, no one has been more successful in doing this than Willie Revillame. A household recognise in television, he has amassed a massive amount of wealth from his midday time shows Wo wowee in ABS CBN and later on, Willing willie on TV 5.high twelve noon time shows rely on the D and E classes as their stigma audience. When criticism is mounted against these shows, producers atomic number 18 quick to respond that these journalists do not understand the plight of the slimy. Some argue that these shows give the poor traitorously hope. They line up for months waiting to be called on stage. Waiting to read their life story. Waiting to play for a million pesos with house and lot. nevertheless the reality is that most of those who line up for the show never even even out it to the studio.RESEARCH QUESTIONWe would like to find out wherefore Filipinos from the class D end E brackets are captivated with these noon time shows. It is the poors endorsement that sustains them. Companies who want to reach out to this consumer market donate lump sums of money for their products to be advertised on air. They know that the millions of impoverished families watching these shows will see their products. merely the poor do more than just endorse. Often they peg their aspirations and dreams to the show itself. tolerate any full show and you are sure to come across someone sobbing on air, talking about how his dream was to accomplish Willie in person.To answer the enquiry of why the poor are so captivated, we will need to address more specific inquiries. Media for instance, is never a neutral medium. It has the capacity to shape public perception through its distinguishable portrayals of reality. After acknowledging that the poor are interested in these shows, we will side into what techniques and strategies these shows use to sustain that interest. It is easy to understand that someone who stumbles across ABSCBN whitethorn be mesmerized by the glitz and glamour of the wowowee show girls. But how do the producers maintain that interest for long periods of time when the programs in these shows scat to be repetitive?Further inquiries may also be e levated concerning how we perceive and understand poverty as a social ill. subconsciously or not, these shows frame this issue in a biased way. Critics are quick to pounce on Willie Revillame for taking advantage of the poor. In return, he retaliates by calling them apathetic and claiming that he truly empathizes with them. Both assertions are possibly right. These shows may be both half empty and full. But perhaps a better way to resolve this conflict is to look into the assumptions about poverty that these shows espouse.Even more questions can be increase regarding the link between poverty and gender in Philippine society. We question how structures of patriarchy are reinforced and reflected in the arrangments of these shows. Willie Revillame is notorious for using blatantly sexist language. In one account by dyke Stuart, Willie comments on the obesity of a middle aged woman who came up to nip him by saying, Mas masarap yapusin ang mga dalaga. But the epitome of this sexism is seen in the dancing girls that liven the show. Mr Butch Stuart describes them as if they were tools to tingle ones sensations Tall, Pretty, Scantily Clad,Jiggling their cleavage breasts, bending, scratch and humping their loins, the tassels and trimmings of their skimpy covers swaying with their dancing, as they blow kisses, seamlessly sequing from program segments to ads, teasing men to the edge of one particular cardinal sin.THEORETICAL mannequinThe group will use Marxist synopsis to understand the dynamics that exist between the audience and the TV producers in these noon time shows. The paper on Marxism and method talks about the central scientific goals of Marxist analysis. The first of these is to result a well founded and logically derived rendering of the central institutional feature of a market based stinting system. The second goal is to historicize and to determine how these features came to exist. The last is to determine the social implications of these arrangment s.We like this kind of theoretical framework for its rigid empiricism. Many frameworks start from the oecumenic towards the particular. That is to say they start with an established principle and thusly go on trying to rationalize the real world to try to fit that picture. In contrast, Marxist analysis begins from the ground up. It first takes a look at what is observable like the relationships of people across the social strata, the relationships of people to capital, or the relationships of people to instiutions which did not exist apriori, exactly instead have a historical basis to them. After making repeated observations, Marxist analysis will then see if recurring patterns, outcomes, and courses of action exist. Only then will a theory be produced to account for these similarities. The Marxist onset is a scientific one. As Daniel little writes that Marxist analysis justify real world phenomena in terms of underlying causal conditions quite an than crude associations among observable variables.This process of analysis is significant in our research in that it requires us to look at the tangible motivations of those watching these noon time TV shows. It is no mere coincidence or barb of luck that these shows come up to remain prominent. There are financial incentives that make thousands of people skip their work just to watch them live. There are also practical ways to explain why the poor would rather sing and dance away their problems to the tune of boom tarat tarat. Finally, it is an undeniable item that the elites- namely the business tycoons, the tv executives, the celebrity personalities and everyone else on the upper echelons of the media industry, continue to benefit from a capitalist system that produces massive amounts of inequality. The mode of production, in this instance the noon time tv shows that generate the income, will block up to exist if there were no poor people to delude.We will also use the Gramscian concept of hegemony to describe the process in which the poor are made to passively accept their positions of status. Hegemony, is the process with which the dominant class projects and reinforces its ideologies through the use of cultural institutions. Chandler states that this represents not only political and economic control, but also the ability of the dominant class to project its own way of seeing the world so that those who are subordinated by it accept it as common sense and natural.Gramsci would find the institution of the family to be repressive. By belonging into the family unit, we are socialized into aspiring for specific life goals. wholeness of this is to be productive citizens ing specialized skill sets that can be utilise to earn profit. We see this as obvious. However, the fulfillment of this goal ensures the preservation of our inequitable social structure. The family and educational system ensures that when one profit minded factory owner dies, another one takes its place.DEFINITI ON OF TERMSMarxismMarxism is defined as the political, economic, and social principles and policies advocated by Marx especially a theory and practice of fabianism including the labor theory of value, dialectical materialism, the class struggle, and dictatorship of the proletariat until the boldness of a classless society.A body of doctrine developed by Karl Marx and, to a lesser extent, by Friedrich Engels in the mid-19th century. It originally consisted of three tie in ideas a philosophical anthropology, a theory of history, and an economic and political program. coherent Choice TheoryRational choice theory is defined as An economic principle that assumes that individuals always make prudent and logical decisions that provide them with the greatest benefit or satisfaction and that are in their highest self-interest. twelve noon Time Variety ShowVariety shows are defined as Theatrical entertainment consisting of successive unrelated acts, such as songs, dances, and buffoonery skits. In the context of this paper they are performed using the medium of the television. orbit AND LIMITATIONOur study will focus solely on noontide time TV programs in the Philippines. Other countries have their own formats for conformation shows. These will not be covered by this paper. Our goal is to understand poverty particularly in the Filipino context. Therefore our analysis will focus more on the cultural nuances of Filipino society reflected in local variety shows. We will also not consider other reality TV shows that do not fall under the kin of a variety show. That is, an event consisting of successive acts of singing, dancing and, games.The reason for this is that differences in show arrangements will make it serious to conduct a conformable analytical approach for all reality tv across the board. For instance, Marxists themes of class inequality to an extent are less evident in slant lost shows such as the biggest loser than they are in wowowee. The cream of pa rticipants for both these shows are also markedly different making it difficult to conduct a unified analysis of the demographics.SIGNIFICANCE OF THE STUDY system AND METHOhttp//www.merriam-webster.com/dictionary/marxismhttp//www.britannica.com/EBchecked/topic/367344/Marxismhttp//www.investopedia.com/terms/r/rational-choice-theory.aspaxzz2JCDDzjcx